Select Page


a show regarding self->re:construction and organised divergence

“->” as implication, or input, or insertion, or function.

Bouncing between self->re:fracture to self->production through self chatter, self image and routing the Flow.

Re.con.position of oneself by conning one.self. 

Self->puppetry. With real, actual, puppets.

Can I be manipulated when I know I’m being manipulated by my:self?

Divergent thinking, fuzzy logic, pattern matching, multiple signals, loosing track.

In a world of paper re.representation, body re.reflection and video re.framing feedback.

Recursively echoing to the nth degree. Interconnected self similarity.

A complex re.combination, onto, into, through each other

a mash up

a self->made mash up

a mash up of the self

Saying no to convergence for convergence’s sake. An exercise in divergence.

What can be trusted as the “real” (self)->image?

how might one produce one->self

First created as a culmination of 2 years Master’s project, “re:self->com” went on to perform in New York City’s “Creative Tech Weeking” to critical acclaim from the festival director.

Looking to put re:work feature aspects of lockdown and our newly common experience of infinite Zoom… And to incorporate hybrid interactive methods allowing for live streaming into the show from online and present audience.

50min solo, no interval.
3 screens, 3 projectors, Multiple cameras.
6m x 6m minimum. 


Concept and Performance: Keith Lim

Original Music (ver1.0): Manuel Breuer
Original Music (ver2.1, ver2.2): Sasha  

Mentors and Dramaturgy: Anna Henckel-Donnersmarck, Lisa Becker, Jorge Gonçalves

Video, stage, lighting and puppet design: Keith Lim